Composing

Theater

Patricia has composed original music for productions of: Gripe (Allan Trautman, Eugene O’Neill Theater Center, 2019); The Necromancer (Teddy Yudain, Eugene O’Neill Theater Center, 2019); The Taming of the Shrew (Vermont Shakespeare Festival, 2018); Coracles, Castanets, Cadaques (Kathleen Gough, 2017); A Winnie-The-Pooh Christmas Tail (Saints and Poets Productions, 2015); The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade (University of Vermont, 2015); O, Caligula! A Mvsical (Saints and Poets Productions, 2015); Winnie The Pooh (Saints and Poets Productions, 2014); Anna’s Journal (Theatre Kavanah, 2013); The Witches (Saints and Poets Productions, 2013); The Arabian Nights (University of Vermont, 2012); Peter Pan (Saints and Poets Productions, 2012); The Clean House (Vermont Stage Company, 2012); Eurydice (University of Vermont, 2008); Ostentatious Poverty (Rachel Perlmeter, 2007); India Song (University of Vermont, 2006)


Concert Music

Patricia composes works for mixed-voice choral ensembles, solo voice and piano, orchestra, contemporary chamber ensembles, small jazz combos, and big band. She also writes acoustic and electronic music for dance.


Film/Video

Patricia has composed music for the short films How Dunmore Throop Stole the Sun (Saints and Poets Productions, in production) and Anonymous (Haiku Monkey Media, 2017); theme music for the web broadcasts The Endangered Alphabets Projects, Carving of the Week (Tim Brookes, 2019) and Winona, I Love You (Watertown Plank Productions, 2018); and University of Vermont’s annual holiday video (UVM College of Arts & Sciences, 2016)